If this critical responsibility falls to you, make sure you can create three separate backups of all recorded RAW files. Check with the unit production manager or the dailies house to confirm whether or not someone is in charge of creating backups of the RAW files. Receive Shuttle Drive - Create Backupsĭepending on the size of the production and your specific role, you may or may not be responsible for creating backups of the RAW files recorded for that particular day. This is because the proxies you’ll create in DaVinci Resolve are in the MXF OP-Atom codec, which allows you to drop them into your Avid MediaFiles folder and begin editing immediately.ġ. This process uses DaVinci Resolve to create master clips that you can ingest in AVID, without consolidating or transcoding your media.

This tutorial is ideal for assistant editors who are beginning an assembly of a show while production is still underway. The DaVinci Resolve to AVID round trip is an industry-standard workflow used by many professional DITs, assistant editors, and post houses.

Note: we recorded this tutorial using DaVinci Resolve 16.1 and AVID Media Composer 2018.12.3. In this step-by-step tutorial, we’ll cover the best practices for using DaVinci Resolve to sync, color grade, and transcode proxies for ingest into AVID.

Avid to davinci resolve plugin